| xxxxx | The Continuity Pages | - | ||||
| - | CEREBUS | - | ||||
| - | - | |||||
| - | - | |||||
| - | - | |||||
| - | ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ ------ | JulianiDarius | xxxxx | |||
Cerebus began as a parody of Conan the Barbarian (as illustrated
by Barry Windsor-Smith), launched in the late 1970s. The art and stories improved over time,
with the stories increasingly moving away from parody and even fantasy, moving into politics
and involving returning characters that were at once parodies and personalities with some
depth. By issue 50, Sim's multi-part storylines, while still featuring parody, had crafted a
world with its own games and personalities. With #52, Sim -- accompanied by Gerhard on panel backgrounds -- launched
into Church and State -- a remarkable 60-issue story of incredible range and, eventually,
great visual beauty. By the end of Church and State (in issue #111), Sim had begun
visual passages of stark aesthetic appeal, addressing the narrative more in terms of tone than
through words. By this time, Sim had decided and announced that Cerebus would be
a 300-issue finite series. It would take a major portion of his life to complete, and it would
run about 6000 pages. Of course, this was long before
Neil Gaiman
popularly originated the extended finite series with his 75-issue
The Sandman
for DC and then DC / Vertigo, leading to other such series. Sim's Church and State
storyline by itself would run 60 issues and about 1200 pages.
Following Church and State, Sim focused on Jaka, Cerebus's lover,
for the 23-issue Jaka's Story (#114-136). Then, he addressed Oscar Wilde in the
12-issue Melmoth, concluding in issue #150 -- the mid-point in the 300-issue narrative.
These two stories -- much as
Alan Moore
did with
his Swamp Thing
stories focusing on Abby -- marginalized the title character, enriching the narrative through
extended characterizations of other characters, often far more complex than the pathetically
superstitious and largely charmingly unthinking Cerebus himself. Moreover, Sim and Gerhard
brought to these stories his more mature artistic style, developed during Church and
State. The pacing of his issues had stretched to make the storyline, which would be
collected in book form, the main unit rather than the issue itself: increasingly, each issue
blended seamlessly into the next. By this time, Sim had abandoned his efforts in the early 1980s to collect
four issues at a time under the title Swords of Cerebus, which could never keep up with
the ongoing series. He moved instead to collect storylines in their entirety -- in massive
volumes called "phonebooks," on cheap paper to keep costs down. The first four volumes
collecting 110 issues, ran about 2200 pages. Sim had not only put into practice the notion of
collecting an ongoing series -- before DC began doing so with Gaiman's The Sandman,
establishing a pattern now used for many comics, including many of far lesser stature -- but
had done so in considerably larger, more impressive and worthy volumes than those who copied
his innovation. Sim's brilliant 50-issue Mothers and Daughters, running in four
parts from #151-200, was doubtlessly his most advanced work to date and remains among the most
impressive sections of graphic literature ever produced. The 1000-page story contained many
incredibly beautiful visual passages and advanced philosophical and political ideas, concluding
with the appearance of Dave Sim in his own story -- a not-unprecedented move
(Grant Morrison
had done so in his conclusion to Animal Man), but one brilliant nonetheless. The
storyline also featured the integration of extended textual sequences with the visual medium
of comics. During this storyline, Sim became known for two things: championing
independent comics and misogyny. Sim publically encouraged people to publish their own comics,
using himself as an example and publishing his own rants on the subject. Not long after the
conclusion of Mothers and Daughters, Sim began to take strong criticism that he had led
many independent creators to bankrupt themselves in such efforts. At the same time, the
divorced Sim began ranting about the nature of women and men, making more speculations than
arguments. While offensive to many, he stood as one of the few public artists willing to
interrogate such issues seriously, outside of the politically correct self-censorship that
pervaded such discussions, and his writing did raise important and revolutionary points in the
process. Moreover, very few thought that his views had infected the narrative of Cerebus
itself, which continued to feature fully-realized and three-dimensional female characters --
far more so than most feminist writers, justly known for their two-dimensional portrayal of
women as independent, if not bitchy, heroes and brainless "collaborators." Guys and Rick's Story followed, mostly featuring Cerebus
drinking in a bar with friends and a lover. Parody had almost altogether dropped out -- or,
rather, been transformed into parody of relationships, of how we lie to ourselves and each
other. Guys in particular featured stunning sequences accurately showing the psychology
of men and women in relationships, and Sim created whole new visual shorthands to seeminly
effortlessly and powerfully communicate emotions. Always known as a great letterer, Sim also
took his lettering to unparalleled heights, with thought and word balloons becoming as graphic
as the image, their style and placement communicating as much as their content. Going Home began in issue #232 and concluded in #265, also
featuring such commentary on gender and relationships, as well as innovations of medium, but
also featuring versions of F. Scott Fitzgerald and Ernest Hemmingway, each with intellectually
provocative annotations written by Sim -- following Moore's annotations to
From Hell. Latter Days began thereafter, concluding with the final
issue, #300. Cerebus stands as a remarkable work that, while underappreciated
and understandably inconsistent considering its more than two decades of publication, has
pushed the medium as much as
Watchmen
or the works of
Will Eisner.
If Sim's accomplishments are less famous, that fact has everything to do with his brave
decision to produce his masterwork outside of the corporate system that dominates American
comic book publication. His innovations -- both in terms of publication (the extended finite
series, the book collection, and indepedent publication) and in terms of the medium itself
(from lettering, new visual shorthands, and extended pacing, to his beautiful silent sequences,
his integration of text with the narrative, and his use of himself as a character) -- place
Cerebus as a major work of graphic literature that will stand for all time.
|
|
|
|
| Cerebus #1 | ||||||
| Cerebus Bi-Weekly #1 | reprints Cerebus #1; cover-dated 2 December 1988 | |||||
| Cerebus #2 | ||||||
| Cerebus Bi-Weekly #2 | reprints Cerebus #2 | |||||
| Cerebus #3 | ||||||
| Cerebus Bi-Weekly #3 | reprints Cerebus #3 | |||||
| Cerebus #4 | ||||||
| Cerebus Bi-Weekly #4 | reprints Cerebus #4 | |||||
| Swords of Cerebus, Volume One | collects Cerebus #1-4 along with a short story, "Diamondback," with Marshall Rogers layouts; published in 1981 | |||||
| Cerebus #5 | ||||||
| Cerebus Bi-Weekly #5 | reprints Cerebus #5 | |||||
| Cerebus #6 | ||||||
| Cerebus Bi-Weekly #6 | reprints Cerebus #6 | |||||
| Cerebus #7 | ||||||
| Cerebus Bi-Weekly #7 | reprints Cerebus #7 | |||||
| Cerebus #8 | ||||||
| Cerebus Bi-Weekly #8 | reprints Cerebus #8 | |||||
| Swords of Cerebus, Volume Two | collects Cerebus #5-8 along with two short stories, "Demonhorn" (with Dave Sim) and "The Morning After" (with Joe Rubenstein art; new to this volume); published in 1981 | |||||
| Cerebus #9 | ||||||
| Cerebus Bi-Weekly #9 | reprints Cerebus #9 | |||||
| Cerebus #10 | ||||||
| Cerebus Bi-Weekly #10 | reprints Cerebus #10 | |||||
| Cerebus #11 | ||||||
| Cerebus Bi-Weekly #11 | reprints Cerebus #11 | |||||
| Cerebus #12 | ||||||
| Cerebus Bi-Weekly #12 | reprints Cerebus #12 | |||||
| Swords of Cerebus, Volume Three | collects Cerebus #9-12 along with the short story, "What Happened Between Issue Twenty and Twenty-One," with Jim Day art; published in 1981 | |||||
| Cerebus #13 | ||||||
| Cerebus Bi-Weekly #13 | reprints Cerebus #13 | |||||
| Cerebus #14 | ||||||
| Cerebus Bi-Weekly #14 | reprints Cerebus #14 | |||||
| Cerebus #15 | ||||||
| Cerebus Bi-Weekly #15 | reprints Cerebus #15 | |||||
| Cerebus #16 | ||||||
| Cerebus Bi-Weekly #16 | reprints Cerebus #16 | |||||
| Swords of Cerebus, Volume Four | collects Cerebus #13-16 along with two short stories, "Magiking" and "Silverspoon" (both entirely by Sim); includes an Alex Toth sketch; published in 1982 | |||||
| Cerebus Bi-Weekly #26 | strangely reprints the original stories Swords of Cerebus, Volume Four; cover-dated 11 November 1989 | |||||
| Cerebus #17 | ||||||
| Cerebus Bi-Weekly #17 | reprints Cerebus #17; features a Hepcats back-up | |||||
| Cerebus #18 | ||||||
| Cerebus Bi-Weekly #18 | reprints Cerebus #18 | |||||
| Cerebus #19 | ||||||
| Cerebus Bi-Weekly #19 | reprints Cerebus #19 | |||||
| Cerebus #20 | ||||||
| Cerebus Bi-Weekly #20 | reprints Cerebus #20; features a Milk & Cheese back-up | |||||
| Swords of Cerebus, Volume Five | collects Cerebus #17-20 along with the short story, "Cerebus Dreams" (new for this volume), with Barry Windsor-Smith art; features a Barry Windsor-Smith front and back cover; published in 1983 | |||||
| Cerebus #21 | ||||||
| Cerebus Bi-Weekly #21 | reprints Cerebus #21 | |||||
| Cerebus #22 | ||||||
| Cerebus Bi-Weekly #22 | reprints Cerebus #22 | |||||
| Cerebus #23 | ||||||
| Cerebus Bi-Weekly #23 | reprints Cerebus #23 | |||||
| Cerebus #24 | ||||||
| Cerebus Bi-Weekly #24 | reprints Cerebus #24 | |||||
| Swords of Cerebus, Volume Six | collects Cerebus #21-24 along with a short story, "A Night on the Town," with Gerhard art; published in 1984 | |||||
| Cerebus #25 | ||||||
| Cerebus Bi-Weekly #25 | reprints Cerebus #25 | |||||
![]() Larger Version Available | Cerebus | collects Cerebus #1-25; 534 pages; published in 1987
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #26 | ||||||
| Cerebus: High Society #1 | reprints Cerebus #26; cover-dated February 1990 | |||||
| Cerebus #27 | ||||||
| Cerebus: High Society #2 | reprints Cerebus #27 | |||||
| Cerebus #28 | ||||||
| Cerebus: High Society #3 | reprints Cerebus #28 | |||||
| Cerebus #29 | ||||||
| Cerebus: High Society #4 | reprints Cerebus #29 | |||||
| Cerebus #30 | ||||||
| Cerebus: High Society #5 | reprints Cerebus #30 | |||||
| Cerebus #31 | ||||||
| Cerebus: High Society #6 | reprints Cerebus #31 | |||||
| Cerebus #32 | ||||||
| Cerebus: High Society #7 | reprints Cerebus #32 | |||||
| Cerebus #33 | ||||||
| Cerebus: High Society #8 | reprints Cerebus #33 | |||||
| Cerebus #34 | ||||||
| Cerebus: High Society #9 | reprints Cerebus #34 | |||||
| Cerebus #35 | ||||||
| Cerebus: High Society #10 | reprints Cerebus #35 | |||||
| Cerebus #36 | ||||||
| Cerebus: High Society #11 | reprints Cerebus #36 | |||||
| Cerebus #37 | ||||||
| Cerebus: High Society #12 | reprints Cerebus #37 | |||||
| Cerebus #38 | ||||||
| Cerebus: High Society #13 | reprints Cerebus #38 | |||||
| Cerebus #39 | ||||||
| Cerebus: High Society #14 | reprints Cerebus #39 | |||||
| Cerebus #40 | ||||||
| Cerebus: High Society #15 | reprints Cerebus #40 | |||||
| Cerebus #41 | ||||||
| Cerebus: High Society #16 | reprints Cerebus #41 | |||||
| Cerebus #42 | ||||||
| Cerebus: High Society #17 | reprints Cerebus #42 | |||||
| Cerebus #43 | ||||||
| Cerebus: High Society #18 | reprints Cerebus #43 | |||||
| Cerebus #44 | ||||||
| Cerebus: High Society #19 | reprints Cerebus #44 | |||||
| Cerebus #45 | ||||||
| Cerebus: High Society #20 | reprints Cerebus #45 | |||||
| Cerebus #46 | ||||||
| Cerebus: High Society #21 | reprints Cerebus #46 | |||||
| Cerebus #47 | ||||||
| Cerebus: High Society #22 | reprints Cerebus #47 | |||||
| Cerebus #48 | ||||||
| Cerebus: High Society #23 | reprints Cerebus #48 | |||||
| Cerebus #49 | ||||||
| Cerebus: High Society #24 | reprints Cerebus #49 | |||||
| Cerebus #50 | ||||||
| Cerebus: High Society #25 | reprints Cerebus #50; published in 1991 | |||||
![]() Larger Version Available | High Society | collects Cerebus #26-50
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #51 | reprinted in #0 | |||||
| Cerebus: Church & State #1 | reprints Cerebus #51; cover-dated February 1991 | |||||
| Cerebus #52 | ||||||
| Cerebus: Church & State #2 | reprints Cerebus #52 | |||||
| Cerebus #53 | ||||||
| Cerebus: Church & State #3 | reprints Cerebus #53 | |||||
| Cerebus #54 | ||||||
| Cerebus: Church & State #4 | reprints Cerebus #54 | |||||
| Cerebus #55 | ||||||
| Cerebus: Church & State #5 | reprints Cerebus #55 | |||||
| Cerebus #56 | ||||||
| Cerebus: Church & State #6 | reprints Cerebus #56 | |||||
| Cerebus #57 | ||||||
| Cerebus: Church & State #7 | reprints Cerebus #57 | |||||
| Cerebus #58 | ||||||
| Cerebus: Church & State #8 | reprints Cerebus #58 | |||||
| Cerebus #59 | ||||||
| Cerebus: Church & State #9 | reprints Cerebus #59 | |||||
| Cerebus #60 | ||||||
| Cerebus: Church & State #10 | reprints Cerebus #60 | |||||
| Cerebus #61 | ||||||
| Cerebus: Church & State #11 | reprints Cerebus #61 | |||||
| Cerebus #62 | ||||||
| Cerebus: Church & State #12 | reprints Cerebus #62 | |||||
| Cerebus #63 | ||||||
| Cerebus: Church & State #13 | reprints Cerebus #63 | |||||
| Cerebus #64 | ||||||
| Cerebus: Church & State #14 | reprints Cerebus #64 | |||||
| Cerebus #65 | ||||||
| Cerebus: Church & State #15 | reprints Cerebus #65 | |||||
| Cerebus #66 | ||||||
| Cerebus: Church & State #16 | reprints Cerebus #66 | |||||
| Cerebus #67 | ||||||
| Cerebus: Church & State #17 | reprints Cerebus #67 | |||||
| Cerebus #68 | ||||||
| Cerebus: Church & State #18 | reprints Cerebus #68 | |||||
| Cerebus #69 | ||||||
| Cerebus: Church & State #19 | reprints Cerebus #69 | |||||
| Cerebus #70 | ||||||
| Cerebus: Church & State #20 | reprints Cerebus #70 | |||||
| Cerebus #71 | ||||||
| Cerebus: Church & State #21 | reprints Cerebus #71 | |||||
| Cerebus #72 | ||||||
| Cerebus: Church & State #22 | reprints Cerebus #72 | |||||
| Cerebus #73 | ||||||
| Cerebus: Church & State #23 | reprints Cerebus #73 | |||||
| Cerebus #74 | ||||||
| Cerebus: Church & State #24 | reprints Cerebus #74 | |||||
| Cerebus #75 | ||||||
| Cerebus: Church & State #25 | reprints Cerebus #75 | |||||
| Cerebus #76 | ||||||
| Cerebus: Church & State #26 | reprints Cerebus #76 | |||||
| Cerebus #77 | ||||||
| Cerebus: Church & State #27 | reprints Cerebus #77 | |||||
| Cerebus #78 | ||||||
| Cerebus: Church & State #28 | reprints Cerebus #78 | |||||
| Cerebus #79 | ||||||
| Cerebus: Church & State #29 | reprints Cerebus #79 | |||||
| Cerebus #80 | ||||||
| Cerebus: Church & State #30 | reprints Cerebus #80; cover-dated April 1992 | |||||
![]() Larger Version Available | Church & State, Volume 1 | collects Cerebus #52-80
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #81 | ||||||
| Cerebus #82 | ||||||
| Cerebus #83 | ||||||
| Cerebus #84 | ||||||
| Cerebus #85 | ||||||
| Cerebus #86 | ||||||
| Cerebus #87 | ||||||
| Cerebus #88 | ||||||
| Cerebus #89 | ||||||
| Cerebus #90 | ||||||
| Cerebus #91 | ||||||
| Cerebus #92 | ||||||
| Cerebus #93 | ||||||
| Cerebus #94 | ||||||
| Cerebus #95 | ||||||
| Cerebus #96 | ||||||
| Cerebus #97 | ||||||
| Cerebus #98 | ||||||
| Cerebus #99 | ||||||
| Cerebus #100 | ||||||
| Cerebus #101 | ||||||
| Cerebus #102 | ||||||
| Cerebus #103 | ||||||
| Cerebus #104 | ||||||
| Cerebus #105 | ||||||
| Cerebus #106 | ||||||
| Cerebus #107 | ||||||
| Cerebus #108 | ||||||
| Cerebus #109 | ||||||
| Cerebus #110 | ||||||
| Cerebus #111 | ||||||
![]() Larger Version Available | Church & State, Volume 2 | collects Cerebus #81-111
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #112 | reprinted in #0 | |||||
| Cerebus #113 | reprinted in #0 | |||||
| Cerebus #114 | ||||||
| Cerebus #115 | ||||||
| Cerebus #116 | ||||||
| Cerebus #117 | ||||||
| Cerebus #118 | ||||||
| Cerebus #119 | ||||||
| Cerebus #120 | ||||||
| Cerebus #121 | ||||||
| Cerebus #122 | ||||||
| Cerebus #123 | ||||||
| Cerebus #124 | contains the prologue to From Hell (first printed here) by Alan Moore and Eddie Campbell | |||||
| Cerebus #125 | ||||||
| Cerebus #126 | ||||||
| Cerebus #127 | ||||||
| Cerebus #128 | ||||||
| Cerebus #129 | ||||||
| Cerebus #130 | ||||||
| Cerebus #131 | ||||||
| Cerebus #132 | ||||||
| Cerebus #133 | ||||||
| Cerebus #134 | ||||||
| Cerebus #135 | ||||||
| Cerebus #136 | ||||||
![]() Larger Version Available | Jaka's Story | collects Cerebus #114-136; 486 pages; published in 1990
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #137 | reprinted in #0 | |||||
| Cerebus #138 | reprinted in #0 | |||||
| Cerebus #0 | reprints Cerebus #51, 112-113, and 137-138 | |||||
| Cerebus #139 | ||||||
| Cerebus #140 | ||||||
| Cerebus #141 | ||||||
| Cerebus #142 | ||||||
| Cerebus #143 | ||||||
| Cerebus #144 | ||||||
| Cerebus #145 | ||||||
| Cerebus #146 | ||||||
| Cerebus #147 | ||||||
| Cerebus #148 | ||||||
| Cerebus #149 | ||||||
| Cerebus #150 | ||||||
![]() Larger Version Available | Melmoth | collects Cerebus #139-150; 259 pages; published in 1991
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #151 | ||||||
| Cerebus #152 | ||||||
| Cerebus #153 | ||||||
| Cerebus #154 | ||||||
| Cerebus #155 | ||||||
| Cerebus #156 | ||||||
| Cerebus #157 | ||||||
| Cerebus #158 | ||||||
| Cerebus #159 | ||||||
| Cerebus #160 | ||||||
| Cerebus #161 | ||||||
| Cerebus #162 | ||||||
![]() Larger Version Available | Flight | collects Cerebus #151-162; 246 pages; published in 1993
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #163 | ||||||
| Cerebus #164 | ||||||
| Cerebus #165 | ||||||
| Cerebus #166 | ||||||
| Cerebus #167 | ||||||
| Cerebus #168 | ||||||
| Cerebus #169 | ||||||
| Cerebus #170 | ||||||
| Cerebus #171 | ||||||
| Cerebus #172 | ||||||
| Cerebus #173 | ||||||
| Cerebus #174 | ||||||
![]() Larger Version Available | Women | collects Cerebus #163-174; 246 pages; published in 1994
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #175 | ||||||
| Cerebus #176 | ||||||
| Cerebus #177 | ||||||
| Cerebus #178 | ||||||
| Cerebus #179 | ||||||
| Cerebus #180 | ||||||
| Cerebus #181 | ||||||
| Cerebus #182 | ||||||
| Cerebus #183 | ||||||
| Cerebus #184 | ||||||
| Cerebus #185 | ||||||
| Cerebus #186 | ||||||
![]() Larger Version Available | Reads | collects Cerebus #175-186; 246 pages; published in 1995
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #187 | ||||||
| Cerebus #188 | ||||||
| Cerebus #189 | ||||||
| Cerebus #190 | ||||||
| Cerebus #191 | ||||||
| Cerebus #192 | ||||||
| Cerebus #193 | ||||||
| Cerebus #194 | ||||||
| Cerebus #195 | ||||||
| Cerebus #196 | ||||||
| Cerebus #197 | ||||||
| Cerebus #198 | ||||||
| Cerebus #199 | ||||||
| Cerebus #200 | ||||||
![]() Larger Version Available | Minds | collects Cerebus #187-200; 286 pages; published in 1996
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #201 | ||||||
| Cerebus #202 | ||||||
| Cerebus #203 | ||||||
| Cerebus #204 | ||||||
| Cerebus #205 | ||||||
| Cerebus #206 | ||||||
| Cerebus #207 | ||||||
| Cerebus #208 | ||||||
| Cerebus #209 | ||||||
| Cerebus #210 | ||||||
| Cerebus #211 | ||||||
| Cerebus #212 | ||||||
| Cerebus #213 | ||||||
| Cerebus #214 | ||||||
| Cerebus #215 | ||||||
| Cerebus #216 | ||||||
| Cerebus #217 | ||||||
| Cerebus #218 | ||||||
| Cerebus #219 | ||||||
![]() Larger Version Available | Guys | collects Cerebus #201-219; 408 pages; published in 1997
[REVIEW AND PURCHASE THIS BOOK] | ||||
| Cerebus #220 | ||||||
| Cerebus #221 | ||||||
| Cerebus #222 | ||||||
| Cerebus #223 | ||||||
| Cerebus #224 | ||||||
| Cerebus #225 | ||||||
| Cerebus #226 | ||||||
| Cerebus #227 | ||||||
| Cerebus #228 | ||||||
| Cerebus #229 | ||||||
| Cerebus #230 | ||||||
| Cerebus #231 | ||||||
| Rick's Story | collects Cerebus #220-231; 246 pages; published in 1998 | |||||
| Cerebus #232 | ||||||
| Cerebus #233 | ||||||
| Cerebus #234 | ||||||
| Cerebus #235 | ||||||
| Cerebus #236 | ||||||
| Cerebus #237 | ||||||
| Cerebus #238 | ||||||
| Cerebus #239 | ||||||
| Cerebus #240 | ||||||
| Cerebus #241 | ||||||
| Cerebus #242 | ||||||
| Cerebus #243 | ||||||
| Cerebus #244 | ||||||
| Cerebus #245 | ||||||
| Cerebus #246 | ||||||
| Cerebus #247 | ||||||
| Cerebus #248 | ||||||
| Cerebus #249 | ||||||
| Cerebus #250 | ||||||
| Going Home | collects Cerebus #232-250; 430 pages; published in 2000 | |||||
| Cerebus #251 | ||||||
| Cerebus #252 | ||||||
| Cerebus #253 | ||||||
| Cerebus #254 | ||||||
| Cerebus #255 | ||||||
| Cerebus #256 | ||||||
| Cerebus #257 | ||||||
| Cerebus #258 | ||||||
| Cerebus #259 | ||||||
| Cerebus #260 | ||||||
| Cerebus #261 | ||||||
| Cerebus #262 | ||||||
| Cerebus #263 | ||||||
| Cerebus #264 | ||||||
| Cerebus #265 | ||||||
| Form & Void | collects Cerebus #251-265; published on Wednesday, 24 May 2001 | |||||
| Cerebus #266 | ||||||
| Cerebus #267 | ||||||
| Cerebus #268 | ||||||
| Cerebus #269 | ||||||
| Cerebus #270 | ||||||
| Cerebus #271 | ||||||
| Cerebus #272 | ||||||
| Cerebus #273 | ||||||
| Cerebus #274 | ||||||
| Cerebus #275 | ||||||
| Cerebus #276 | ||||||
| Cerebus #277 | ||||||
| Cerebus #278 | ||||||
| Cerebus #279 | published on Wednesday, 26 June 2002 | |||||
| Cerebus #280 | published on Wednesday, 31 July 2002 | |||||
| Cerebus #281 | ||||||
| Cerebus #282 | ||||||
| Cerebus #283 | ||||||
| Cerebus #284 | ||||||
| Cerebus #285 | ||||||
| Cerebus #286 | ||||||
| Cerebus #287 | ||||||
| Cerebus #288 | ||||||
| Cerebus #289 | ||||||
| Cerebus #290 | ||||||
| Cerebus #291 | ||||||
| Cerebus #292 | ||||||
| Cerebus #293 | ||||||
| Cerebus #294 | ||||||
| Cerebus #295 | ||||||
| Cerebus #296 | ||||||
| Cerebus #297 | ||||||
| Cerebus #298 | ||||||
| Cerebus #299 | ||||||
| Cerebus #300 | ||||||
| ||||||
| Cerebus Jam #1 | featues Cerebus and the Spirit, with art by Will Eisner and Dave Sim; cover-dated April 1985 | |||||
![]() | |
|
Please be aware that the continued quality, and even existence, of these sites cannot be guaranteed.
|
| |
![]() Please support (y)our site. | |