xxxxx The Continuity Pages-
- MAX ALLAN COLLINS-
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Introduction
Max Allan Collin's first published novel, Bait Money, appeared in 1973.
In 1983, True Detective, Collins's first Nathan Heller novel hit the shelves. It quickly won that year's Best Novel Shamus award from the Private eye Writers of America. Its story had fictional Chicago private eye Nate Heller mingling with with real-world gangsters Frank Nitti and Al Capone, and involved the attempted assassination of FDR in 1932, in which Chicago mayor Anton Cermak was killed.
Nathan Heller would return, always mingling with real-world people and events, often with the detective solving real-world mysteries. The first three Heller novels, sometimes known as "The Nitti Trilogy," featured the historical Frank Nitti as a father-figure for Heller. The second Heller book, True Crime saw print in 1984. Stolen Away (1993) featured the Lindbergh kidnapping and won the Best Novel Shamus award, the second for the series. Angel in Black (2001) has Heller solving the famous Black Dahlia murder in 1947.
Collins also wrote novelizations for a number of films, including In the Line of Fire, The Mummy, and Saving Private Ryan.
In addition to his novels, Max Allan Collins wrote the Dick Tracy comic strip from 1977 to 1993, succeeding the strip's creator, Chester Gould. He consulted on the memorable 1990 Dick Tracy movie, also writing the novelization. He also wrote a number of comic books, from Batman to Wild Dog (which I remember fondly) to Ms. Tree.
Collins became controversial for a time with the True Crime trading cards of serial killers, which America greeted with horror in 1993. Collins had written the trading cards on gangsters for a trading card series entitled G-Men and Gangsters, only to have the publisher package them with a new name and other cards on serial killers.
The following are projects by Max Allan Collins are available:

Following these is a list of other sites of interest.

CONTENTS
PERIODICALS
BOOKS
  • On the Road to Perdition Book 1: Oasis
  • On the Road to Perdition Book 2: Sanctuary
  • Road to Perdition
  • Road to Perdition
    Road to Perdition began in 1994 at WonderCon in Oakland, California, with a conversation between Max Allan Collins and Andrew Helfer, editor of DC's Paradox Press imprint. Paradox Press published -- in addition to its magazine-size, non-fiction Big Book series -- digest-sized black-and-white graphic novels outside of the super-hero genre, usually serialized in 100-page chapters. Collins pitched an American version of
    Lone Wolf and Cub, the influential Japanese comic book of a Ronin, a masterless samurai, wandering Japan with his infant son, committing murders for hire with a sense of honor and justice: Collins's American version would take place in the gangster-ridden Chicagoland area of the 1920s, with a mob assassin as the ronin and a mob boss as the shogun. This narratological backdrop and deeply American historical setting would be combined with Mid-Western Catholicism instead of Shinto Buddhism, an older child who could more deeply understand the horrors of his father's murderous lifestyle, the over-the-top violence of John Woo films (then largely unknown in the U.S.), and the ronin wandering the American Mid-Western landscape in the tradition of American road movies and novels. Collins originally saw the series as ongoing, in the style of Lone Wolf and Cub or the TV series The Fugitive, but the format of Paradox Press necessitated a graphic novel in three or four 100-page-or-so chapters, and Collins obliged.
    Richard Piers Rayner, an excellent English artist, agreed to provide the artwork, and Collins approved. Throughout their collaboration, and even years after, the two would never meet: Collins would provide the script in 25- to 30-page installments, with Rayner often taking months to illustrate that many pages, followed by a call from Andy Helfer to Collins demanding more pages. Collins would provide a new batch of pages after looking at photocopies of Rayner's fabulously-rendered pages.
    The graphic novel would take four years to complete. By the time it was done, the critically-acclaimed but poorly-selling Paradox Press imprint was on its last legs. Andrew Helfer apparently had to fight for its publication, citing the graphic novel's quality. The last in Paradox Press's line of black-and-white graphic novels, it was not serialized as the others had been but published in 1998 as one single 300-page graphic novel. Despites its quality and value for the dollar, it did not sell well.
    Road to Perdition became a major motion picture by DreamWorks, directed by Sam Mendes, hot of directing American Beauty, and starring Tom Hanks, uncharacteristically portraying gangster Michael O'Sullivan. For the film, the violence was toned down and the unnamed men who pursue Michael O'Sullivan were conflated and made into a new, particularly vicious character. Also for the film, gangster John Looney had his name changed to Rooney, the name of the real-life gangster seeming too "comic booky" for Hollywood. Little attention was paid to the comic book origins of the film, despite that they were far from the stereotypical super-hero drek, in most press releases and media coverage. Ironically, Max Allan Collins, who had a long résumé of film novelizations, was called upon to novelize the film based upon his own comic book. (Of course, when films adapt (non-graphic) novels, no novelization of the film is made, no matter how different the final film from the original novel.) To the credit of the reading public, the original graphic novel sold better than the film novelization.

    IMAGE
    TITLE
    DESCRIPTION
    STATUS

    Larger Version Available
    Road to PerditionMax Allan Collins script; black-and-white art by Richard Piers Rayner; 302 pages
    [REVIEW AND PURCHASE THIS BOOK]
    1

    Larger Version Available
    Road to Perdition [movie cover]movie photo cover
    [REVIEW AND PURCHASE THIS BOOK]
    0

    Larger Version Available
    Road to Perdition [movie novelization]a novel by Max Allan Collins adapting the film; 212 pages; paperback; published by Onyx Books in 2002
    [REVIEW AND PURCHASE THIS BOOK]
    0
    On the Road to Perdition Book 1: OasisMax Allan Collins script; black-and-white art by José Luis García-López and Josef Rubinstein; Richard Piers Rayner and David Michael Beck cover; 96 pages
    1
    On the Road to Perdition Book 2: SanctuaryMax Allan Collins script; black-and-white art by Steve Lieber; José Luis García-López cover; 96 pages
    1

    Other Sites of Interest
    The Continuity Pages on Sequart.com
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    Off-Site
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    PersianCaesar.com
    The website of author Julian Darius, creator of The Continuity Pages.
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    First published online on 6 April 2003. These comics and related characters and art are copyrighted by their respective owners. This site is copyrighted by Julian Darius and intended for scholarly purposes and to increase interest in its topic.