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J. Michael Straczynski Era (2001-2004)
J. Michael Straczynski taking over Amazing Spider-Man #30 sparked considerable press coverage: he was the celebrated writer of TV's science fiction series Babylon 5, and his coming to comics was seen as a bit of a coup. That said, he took some time to find his sea legs: his earliest issues were rather awful, trying to make Spider-Man a kind of spider avatar and suggesting a legacy of such bizarre creatures. He improved, however, when he changed Spider-Man's history in a more subtle but meaningful way: in the end of #35, Aunt May discovered that Peter Parker was Spider-man.
The storyline was interrupted as #36 became a 9/11 tribute issue, rushed to press and quickly becoming a collector's item. Showing Marvel's heroes and villains dealing with the events that traumatized America, it was at times touching and at other times overly sentimental -- as when Doctor Doom, himself a terrorist, weeps over the civilian dead. None the less, it was comics' first response among many to the tragedy.
As the storyline continued, a trend could quickly be observed: Straczynski's characterization, in particular his scenes with Aunt May, were well-done while his super-hero adventures -- including particularly ludicrous villains -- left the sophisticated reader cold. Straczynski was also fond of references in his work -- to popular culture, to Marvel publishing history (not a part of Marvel Universe continuity), and to DC characters as well. This could be refreshing or annoying, depending on one's perspective.
Straczynski had taken over the book with Peter Parker and Mary Jane's marriage on the rock: they were separated, and she was pursuing a career as a model. The writer wanted to reunite the two, but Marvel editorial prohibited it -- reportedly on the grounds that the two were not yet married in the movie Spider-Man, and new readers might find a married Spider-Man (or at least one whose marriage was central to the book) difficult to get into.
The first offering from Marvel's short-lived relaunched Epic imprint, the mini-series entitled Trouble debuted in 2003 and told the story of Peter Parker's conception -- no kidding -- as a cautionary but hip teen romance story. Written by Mark Millar with art by Terry and Rachel Dodson, it served as a sort of test for the same team's run on the new Spider-Man title, begun in 2004.
As Spiderman 2 neared, set to feature Doctor Octopus, Marvel not only had Doctor Octopus return in the regular Spider-Man comics but launched two mini-series: Doctor Octopus: Negative Exposure (written by Brian K. Vaughan) and Spider-Man / Doctor Octopus: Out of Reach. Both sold relatively poorly.

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This page is a part of The Continuity Pages by Julian Darius.
Prelude
This page is a part of The Continuity Pages by Julian Darius.
Trouble #1-5: Mark Millar script; Terry Dodson pencils; Rachel Dodson inks; features photographic covers; published by Marvel's revived Epic imprint
Trouble #1cover-dated September 2003
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Trouble #2
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Trouble #3
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Trouble #4
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Trouble #5final issue; cover-dated January 2004
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This page is a part of The Continuity Pages by Julian Darius.
Amazing Spider-Man
This page is a part of The Continuity Pages by Julian Darius.
Amazing Spider-Man (second series) #30-35, 37-45, 507: J. Michael Straczynski writing
Amazing Spider-Man (second series) #30-35, 37-45: John Romita, Jr. pencils; Scott Hanna inks
Amazing Spider-Man (second series) #30-35: J. Scott Campbell cover
Amazing Spider-Man (second series) #30Spider-Man, angry over Mary Jane leaving, intelligently trashes a building in a poorly-rendered sequence; a man with Spider-Man's powers named Ezekiel appears and warns Spider-Man of the coming of Morlun (his "greatest threat yet" -- again); Ezekiel asks the unintelligable question, "Did the radiation enable the spider to give you these powers? Or was the spider trying to give you those powers before the radiation killed it?" (a question treated not only as if it makes sense but as the greatest shock Spider-Man has ever heard); note how, in panel 4 on page 12, Spider-Man seems able to stretch out flat along the ground like Plastic Man
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Amazing Spider-Man (second series) #31Spider-Man stops a gunman at his old high school, a gunman revealed to be a nerd who, inexplicably, is repeatedly seen elsewhere during the shootings(!); concludes with Peter Parker (gee, why does he always show up at this shitty school when Spider-Man does) spontaneously declaring himself the school's new science teacher
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Amazing Spider-Man (second series) #32Peter Parker meets with Ezekiel, who gives some quasi-mystical explanation of how he is an animal "totem" (the wrong word), how his villains reflect this, and how Morlun inexplicably feeds on such totems, all of which comes off like Alan Moore minus 50 I.Q. points, although all of this is treated deadly seriously
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Marvel Must Haves: Amazing Spider-Man #30-32reprints Amazing Spider-Man (second series) #30-32
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Amazing Spider-Man (second series) #33Spider-Man battles Morlun
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Amazing Spider-Man (second series) #34Spider-Man battles Morlun, then Ezekiel intervenes despite his past reluctance (surprise!), only to get killed; Spider-Man takes over a nuclear power plant
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Amazing Spider-Man (second series) #35"Coming Home"; Spider-Man injects himself with nuclear material, hoping his powers let him injest it (they do!), then defeats Morlun, who is shot to death by his assistant, Dex, who then bursts into song from The Wizard of Oz; Ezekiel is shown alive (surprise!); sleeping off his injuries (but not before long exposition!), Aunt May enters and finds his costume
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Amazing Spider-Man Vol. 1: Coming Homecollects Amazing Spider-Man (second series) #30-35; includes a sketchbook by J. Scott Campbell
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Amazing Spider-Man (second series) #37-45: no cover data entered
Amazing Spider-Man (second series) #37begins immediately after #35; Peter Parker investigates Jennifer Hardesty, a troubled student in his class, finding her homeless with her brother, who has a drug overdose; Aunt May, after ruminating all day, calls Peter to talk
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Amazing Spider-Man (second series) #38"The Conversation"; Aunt May and Peter talk, the latter coming clean about being Spider-Man; a nice issue
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Amazing Spider-Man (second series) #39a nice, silent issue showing what May Jane (modeling), Aunt May (e-mailing newspapers about Spider-Man), and Spider-Man are doing during a day
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Amazing Spider-Man Vol. 2: Revelationscollects Amazing Spider-Man (second series) #37-39?
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Amazing Spider-Man (second series) #40trying to help Jennifer, Spider-Man encounters Shade, who is taking stray kids into another space of some sort
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Amazing Spider-Man (second series) #41Spider-Man talks to William Lamont, a cop, and interrogates someone in an insane asylum about Shade; learning Shade is supernatural, Spider-Man goes to visit Dr. Strange
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Amazing Spider-Man (second series) #42"A Strange Turn of Events"; Dr. Strange appears; Spider-Man defeats the Shade; Peter fails to meet Mary Jane at the airport and she leaves; cover-dated August 2002
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Amazing Spider-Man (second series) #43Mr. Carlyle of Nexus Industries steals Otto Octavius's technology; Peter Parker and Aunt May visit Mary Jane in L.A.
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Amazing Spider-Man (second series) #44Dr. Octopus battles his replacement in L.A., concluding with Spider-Man being burried beneath a hotel
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Amazing Spider-Man (second series) #45"Until the Stars Turn Cold"; Spider-Man claws his way out from underneath the hotel (with echoes of 9/11); Dr. Octopus and his usurper conveniently threaten Mary Jane and Aunt May, ending with the usurper captured and Dr. Octopus escaping; Peter promises to wait for Mary Jane
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Amazing Spider-Man Vol. 3: Until the Stars Turn Coldcollects Amazing Spider-Man (second series) #40-45
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The Best of Spider-Man Vol. 2collects Amazing Spider-Man (second series) #37-45, Peter Parker: Spider-Man (second series) #44-47, and Spider-Man's Tangled Web #10-11; Axel Alonso introduction; uses the cover to Amazing #41 as its front cover and #37 as its back cover; oversized hardcover
[REVIEW AND PURCHASE THIS BOOK FROM AMAZON.COM]
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Amazing Spider-Man (second series) #36, 46-56, 500-506: no data entered
Amazing Spider-Man (second series) #46
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Amazing Spider-Man (second series) #47
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Amazing Spider-Man (second series) #48
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Amazing Spider-Man (second series) #49
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Amazing Spider-Man (second series) #50
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Amazing Spider-Man Vol. 4: The Life & Death of Spiderscollects Amazing Spider-Man (second series) issues
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Amazing Spider-Man (second series) #51
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Amazing Spider-Man (second series) #52
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Amazing Spider-Man (second series) #53
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Amazing Spider-Man (second series) #54
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Amazing Spider-Man (second series) #55
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Amazing Spider-Man (second series) #56
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Amazing Spider-Man Vol. 5: Unintended Consequencescollects Amazing Spider-Man (second series) #51-56
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Amazing Spider-Man (second series) #57
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Amazing Spider-Man (second series) #58the last issue before the title was renumbered
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Amazing Spider-Man (second series) #500the series's numbering changes, adding both series together as (if the numbering had never been rebooted, a device first used to create Fantastic Four #500)
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Amazing Spider-Man (second series) #501
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Amazing Spider-Man (second series) #502
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Amazing Spider-Man Vol. 6: Happy Birthdaycollects Amazing Spider-Man (second series) #57-58, 500-502
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Amazing Spider-Man #503-504: "Chasing a Dark Shadow" storyline
Amazing Spider-Man (second series) #503
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Amazing Spider-Man (second series) #504
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Amazing Spider-Man (second series) #505
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Amazing Spider-Man (second series) #506
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Amazing Spider-Man (second series) #507no art or cover data entered
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This page is a part of The Continuity Pages by Julian Darius.
PETER PARKER, SPIDER-MAN / SPECTACULAR SPIDER-MAN
This page is a part of The Continuity Pages by Julian Darius.
Peter Parker, Spider-Man Vol. 1: A Day in the Lifecollects Peter Parker, Spider-Man (second series) issues which ones?
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Peter Parker, Spider-Man Vol. 2: One Small Breakcollects Peter Parker, Spider-Man (second series) issues which ones?
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Peter Parker, Spider-Man (second series) #44-50; Spectacular Spider-Man (second series) #1-13: Paul Jenkins script
Peter Parker, Spider-Man (second series) #44-47: "A Death in the Family" storyline; Humberto Ramos pencils; Wayne Faucher inks; no cover data entered
Peter Parker, Spider-Man (second series) #44Green Goblin (Norman Osborn) returns; Peter calls Mary Jane and hangs up
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Peter Parker, Spider-Man (second series) #45Green Goblin publicly blames Spider-Man for Gwen Stacy's death; Aunt May watches this on TV, knowing that Peter is Spider-Man; Norman Osborn gets Flash Thompson drunk, leading him to crash into Peter's school and leaving Thompson with probable brain damage
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Peter Parker, Spider-Man (second series) #46Spider-Man battles Green Goblin
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Peter Parker, Spider-Man (second series) #47Spider-Man battles Green Goblin, who tries to get Peter to kill him, but Peter's refusal to do so, even if more of Peter's friends die (like Gwen), breaks Norman Osborn
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Peter Parker, Spider-Man Vol. 3: Return of the Goblincollects Peter Parker, Spider-Man (second series) issues which ones?
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Peter Parker, Spider-Man (second series) #48-50: no art or cover data entered
Peter Parker, Spider-Man (second series) #48
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Peter Parker, Spider-Man (second series) #49
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Peter Parker, Spider-Man (second series) #50no last issue known
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Peter Parker, Spider-Man Vol. 4: Trials & Tribulationscollects Peter Parker, Spider-Man (second series) #35, 37, 48-50
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Spectacular Spider-Man (second series) #1-5, 7-13: no art or cover data entered
Spectacular Spider-Man (second series) #1
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Spectacular Spider-Man (second series) #2
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Spectacular Spider-Man (second series) #3
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Spectacular Spider-Man (second series) #4
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Spectacular Spider-Man (second series) #5
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Spectacular Spider-Man Vol. 1: The Hungercollects Spectacular Spider-Man (second series) #1-5
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Spectacular Spider-Man (second series) #6-10: "Countdown" storyline
Spectacular Spider-Man (second series) #6: Humberto Ramos pencils and cover; Wayne Faucher inks
Spectacular Spider-Man (second series) #6Doctor Octopus returns; cover-dated January 2004
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Spectacular Spider-Man (second series) #7
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Spectacular Spider-Man (second series) #8
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Spectacular Spider-Man (second series) #9
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Spectacular Spider-Man (second series) #10
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Spectacular Spider-Man Vol. 2: Countdowncollects Spectacular Spider-Man (second series) #6-10
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Spectacular Spider-Man (second series) #11-13: "The Lizard's Tale" storyline
Spectacular Spider-Man (second series) #11
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Spectacular Spider-Man (second series) #12
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Spectacular Spider-Man (second series) #13
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SPIDER-MAN'S TANGLED WEB
This page is a part of The Continuity Pages by Julian Darius.
Spider-Man's Tangled Web #1-3: poor Garth Ennis script, poor John McCrea pencils and James Hodgkins inks
sans titles or indicia

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Spider-Man's Tangled Web #1cover-dated June 2001
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Spider-Man's Tangled Web #2
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Spider-Man's Tangled Web #3cover-dated August 2001
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Spider-Man's Tangled Web #4"Severance Package"; good Greg Rucka script and nice Eduardo Risso (of 100 Bullets) art; reprinted in Daredevil: The Movie
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Spider-Man's Tangled Web #5-6: good Peter Milligan script and Duncan Fegredo art

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Spider-Man's Tangled Web #5
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Spider-Man's Tangled Web #6
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Spider-Man's Tangled Web, Volume 1collects Spider-Man's Tangled Web #1-6, using the cover for #5 as the cover; published on Wednesday, 31 October 2001
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Spider-Man's Tangled Web #7-9: "Gentlemen's Agreement" storyline; Bruce Jones script, Lee Weeks pencils, Joe Rubinstein inks
Spider-Man's Tangled Web #7
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Spider-Man's Tangled Web #8cover-dated January 2002
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Spider-Man's Tangled Web #9
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Spider-Man's Tangled Web #10"Ray of Light"; Kaare Andrews script and art
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Spider-Man's Tangled Web #11the double-sized "Open all Night"; Darwyn Cooke script and pencils; J. Bone inks; published on Wednesday, 27 February 2002
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Spider-Man's Tangled Web, Volume 2collects Spider-Man's Tangled Web #7-11, using the cover for #10 as the cover; only indicated as Volume 2 on the spine
[REVIEW AND PURCHASE THIS BOOK FROM AMAZON.COM]
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Spider-Man's Tangled Web #12no last issue entered; no data entered
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KINGPIN
This page is a part of The Continuity Pages by Julian Darius.
Kingpin #1-2: Bruce Jones script; Sean Phillips breakdowns; Klaus Janson finishes
Kingpin #1the Kingpin has various rivals killed; Spider-Man briefly appears, catching his first glimpse of the Kingpin; cover-dated August 2003
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Kingpin #2Spider-Man appears in cameo
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Kingpin #3-7: no data entered
Kingpin #3
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Kingpin #4
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Kingpin #5
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Kingpin #6
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Kingpin #7no last issue known
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VENOM
This page is a part of The Continuity Pages by Julian Darius.
Venom #1-3, 5-6, 10-13: no data entered
Venom #1-5: "Shiver" storyline
Venom #1published as part of Marvel's Tsunami line of new, manga-influenced launches
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Venom #2
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Venom #3
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Venom #4, 7-9: Daniel Way script; Sam Kieth cover
Venom #4: Francisco Herrera pencils; Carlos Cuevas inks
Venom #4cover-dated September 2003
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Venom #5
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Venom Vol. 1: Shivercollects Venom #1-5
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Venom #6-10: "Run" storyline
Venom #6features a black cover with a special metalic ink
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Venom #7-9: Paco Medina pencils; Juan Vlasco inks
Venom #7cover-dated December 2003
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Venom #8cover-dated January 2004
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Venom #9cover-dated February 2004
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Venom #10
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Venom #11-13: "Patterns" storyline
Venom #11
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Venom #12
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Venom #13
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Venom Vol. 2: Runcollects Venom #6-13
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This page is a part of The Continuity Pages by Julian Darius.
MISCELLANEOUS
This page is a part of The Continuity Pages by Julian Darius.
Daredevil (second series) #8 (cover-dated June 1999), featuring a Spider-Man appearance, occurs here
Daredevil / Spider-Man #1-4 (cover-dated January to April 2001) occurs here
Amazing Spider-Man (second series) #36the 9/11 issue
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Daredevil (second series) #35 (cover-dated September 2002), featuring a Spider-Man appearance, occurs here
Spider-Man / Daredevil #1 (cover-dated October 2002) occurs here
Spider-Man: Blue #1-6: Jeph Loeb script and Tim Sale art

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Spider-Man: Blue #1cover-dated July 2003
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Spider-Man: Blue #2
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Spider-Man: Blue #3
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Spider-Man: Blue #4
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Spider-Man: Blue #5cover-dated November 2003; published about four months after the previous issue
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Spider-Man: Blue #6final issue; published on Wednesday, 5 March 2003
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Spider-Man: Bluecollects Spider-Man: Blue #1-6; John Romita, Sr. introduction; includes sketches and additional art by Tim Sale with commentary by Sale and Loeb; oversized hardcover
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X-Statix #13 (cover-dated November 2003), containing a Spider-Man appearance, occurs here
Doctor Octopus: Negative Exposure #1-5: Brian K. Vaughan script; a.k.a. Spider-Man & Doctor Octopus: Negative Exposure
Doctor Octopus: Negative Exposure #1-2: Staz Johnson pencils; Danny Miki inks; no cover data known
Doctor Octopus: Negative Exposure #1uses Humberto Ramos's redesign of Doctor Octopus's costume; cover-dated December 2003
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Doctor Octopus: Negative Exposure #2
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Doctor Octopus: Negative Exposure #3-5: no art or cover data entered
Doctor Octopus: Negative Exposure #3
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Doctor Octopus: Negative Exposure #4
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Doctor Octopus: Negative Exposure #5final issue
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Spider-Man / Doctor Octopus: Out of Reach #1-5: Colin Mitchell script
Spider-Man / Doctor Octopus: Out of Reach #1: Keron Grant pencils; Rob Stull with Derek Fridolf & Scott Elmer inks; no cover data entered
Spider-Man / Doctor Octopus: Out of Reach #1cover-dated January 2004
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Spider-Man / Doctor Octopus: Out of Reach #2-5: no art or cover data entered
Spider-Man / Doctor Octopus: Out of Reach #2
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Spider-Man / Doctor Octopus: Out of Reach #3
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Spider-Man / Doctor Octopus: Out of Reach #4
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Spider-Man / Doctor Octopus: Out of Reach #5final issue
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Spider-Man Unlimited #1-3: no data entered
Spider-Man Unlimited #1
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Spider-Man Unlimited #2
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Spider-Man Unlimited #3no last issue known
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MORE MISCELLANEOUS
This page is a part of The Continuity Pages by Julian Darius.
Startling Stories: The Megalomaniacal Spider-Man #1Peter Bagge story and art; very fucking good; 23 pages; published on Wednesday, 17 April 2002
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Other Sites of Interest
On The Continuity Pages / continuitypages.com
The Continuity Pages: Spider-Man
Click here to return to the main Spider-Man page.
The Continuity Pages: Ultimate Spider-Man
Information about the Spider-Man of Marvel's Ultimate universe.
Loeb / Sale Chronology
An annotated, hyperlinked chronology of the collaborations of Jeph Loeb and Tim Sale (including Spider-Man: Blue).
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First published online on 22 December 2001. Spider-Man and related characters and art are copyrighted by Marvel Comics. This site is copyrighted by Julian Darius and intended for scholarly purposes and to increase interest in its topic.