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Hot off their collaboration on the slowly-published and company-botched
Image / Maximum / Awesome series,
Supreme,
Alan Moore,
Chris Sprouse, and Al Gordon launched Tom Strong as the flagship title of
America's Best Comics,
the first of four regular series that would premere over four months. Comparisons to
Supreme generally favored Supreme, which was almost certainly more fun, but
ignored the fact that Tom Strong was doing something quite different: while retaining the
reconstructionist simplicity of Supreme, Tom Strong was hardly a reconfiguration of
the Superman mythos. Instead, Tom Strong was nothing short of a reconfiguration of
American comics, one that imagined that they had never become severed, at least in memory, from
the pulp heroes of the 1930s. Tom Strong attempted to synthesize Tarzan with Superman, to
use those two heroes as representative of their strains in American popular culture.
If all of this sounds good, it was. Tom Strong started, well,
strong. The first seven issues were good fun and featured a great deal of enjoyable elements.
But it took a full year for them to see publication. The title then began printing three stories
per issue, rather than the sustained 24-or-more-page tales; generally speaking, these were less
enjoyable. Whereas other artists provided flashback and flash-forward tales within #4-7, for
#8-10, other artists would illustrate one tale out of three. Tom Strong also appeared in
America's Best Comics Special at
this time in a story written by Steve Moore, the first time anyone else had written Tom Strong.
Issues #11-12 told a single sustained story with art entirely by Sprouse and Gordon, though the
effect was lessened by the long gap before publication of #12. The second year of publication
closed with only five new issues published (plus the short story in America's Best Comics
Special), and those issues had not been as enjoyable as those of the first year. The first half of the third year saw only two issues with only the
equivalent of one drawn by Sprouse and Gordon. The second half of the third year would see
only two more issues, #15 and #16. With #15, Karl Story replaced Al Gordon as permanent inker
of the title. #16 began a trilogy entirely drawn by Sprouse and Story, though the delays
between issues would again lessen the effect of receiving such a sustained story. While the
artistic team of Tom Strong began illustrating complete issues, no matter how long they
took to complete, a spin-off would help to keep Tom Strong material on the new comics racks.
As the second half of the third year commenced, the anthology Tom Strong's Terrific Tales
was launched. While readers appreciated getting more material, there seemed little reason to
have two titles published sporadically rather than folding the spin-off's contents into the
original title, which itself often enough featured multiple stories. The formula for the
anthology would be a Tom Strong story by Alan Moore, often using strained perspectives and / or
taking place in another time, plus a "Young Tom Strong" story written by Steve Moore with Alan
Weiss art, and a new feature called "Jonni Future" written by Steve Moore with fantastic art by
Arthur Adams. Beyond expanding the Tom Strong franchise with regular writing by another writer,
Terrific Tales expanded the Tom Stong universe through the Jonni Future strip, focused
on the daughter of a minor character from an earlier story. Jonni Future, with its sly
sexploitation, quickly began to steal the show, but the title as a whole seemed less
satisfactory than the main title -- at times even childish, ironic given that the title's
promotional material suggested that it would feature slightly darker and more mature stories.
The third year concluded in April 2002 with four Tom Strong issues and the first two
issues of Tom Strong's Terrific Tales seeing print. Tom Strong's fourth year saw another four issues of Tom Strong
plus four of Terrific Tales. DC Comics began attempting to get the main title back on a
more regular schedule, making sure issues were ready to go before being solicited. After the
two concluding issues of the trilogy running then in Tom Strong, illustrated entirely by
Sprouse and Story, issue #19 was an anthology issue featuring different artists. Issue #20,
published just at the end of the fourth year, would begin a trilogy focusing on the alternative
universe Tom Stone and penciled by Jerry Ordway instead of Sprouse. The four issues of
Terrific Tales published in the fourth year were noteworthy for the ousting for a single
issue (#5) of the celebrated Jonni Future strip, replaced by a story written by Leah Moore,
Alan Moore's daughter. Leah Moore would write one of the three stories in Tom Strong
#19, just a few months later. Tom Strong's fifth year began with the publication of The Many Worlds
of Tesla Strong, a 64-page special written by Peter Hogan (with Alan Moore's assistance)
and illustrated by many prominent artists, including Sprouse and Story. As Tom Strong
and Terrific Tales continued occasional publication, a mini-series was launched,
focusing on Terra Obscura, the home of Tom Strange seen in Tom Strong #11-12. Written
by Peter Hogan and coplotted with Alan Moore, the six-issue Terra Obscura saw regular
publication; solely by itself, this mini-series featuring Tom Strange and a large cast of
characters contained more material than Tom Strong's second year and almost as much as his
third -- the mini-series combined with the special, ignoring the two main titles, amounted by
themselves to more material than any entire year of Tom Strong's history, however Tom Strong
himself was marginalized in this material.
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![]() | Tom Strong #1 | 32 pages; also features a 2-page text "history" of Tom Strong entitled "Born With The Century: Tom Strong and his City"; Alex Ross cover; cover-dated June 1999 | ||||
| Tom Strong #1 [alternate cover] | Chris Sprouse & Al Gordon cover | |||||
![]() | Tom Strong #2 | Chris Sprouse & Angus McKie cover; cover-dated July 1999 | ||||
![]() | Tom Strong #3 | Cully Hamner helped Sprouse on the pencils; Chris Sprouse & Al Gordon cover; cover-dated August 1999 | ||||
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![]() | Tom Strong #4 | inset story with Arthur Adams pencils and Al Gordon inks; continues into the next issue; cover-dated October 1999 | ||||
![]() | Tom Strong #5 | inset story with Jerry Ordway pencils and Al Gordon inks; continues into the next issue; Jerry Ordway cover; cover-dated December 1999 | ||||
![]() | Tom Strong #6 | inset story with Dave Gibbons art (entirely); continues into the next issue; Dave Gibbons cover; cover-dated February 2000 | ||||
![]() | Tom Strong #7 | inset story with Gary Frank pencils and Cam Smith inks; ends with the beginning of New Year's Day, 2000; Gary Frank & Cam Smith cover; cover-dated March 2000 | ||||
![]() Larger Version Available | Tom Strong: Book One | collects Tom Strong #1-7
[REVIEW AND PURCHASE THIS BOOK] | ||||
Larger Version Available | Tom Strong: Book One [hardcover edition] | published months prior to the softcover | ||||
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![]() | Tom Strong #8 | contains three short stories, one with Alan Weiss art; Alan Weiss cover; cover-dated July 2000 | ||||
![]() | Tom Strong #9 | contains three short stories, one with Paul Chadwick art; Paul Chadwick cover; cover-dated September 2000; published on Wednesday, 19 July 2000 | ||||
![]() | Tom Strong #10 | contains three short stories, one with Gary Gianni art, plus a phony advertisement for America's Best Comics; Gary Gianni cover; cover-dated November 2000; published in late September 2000 | ||||
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![]() | Tom Strong #11 | continues into the next issue; Chris Sprouse & Al Gordon cover; cover-dated January 2001; published on Wednesday, 20 December 2000 (the same day Promethea #12 was published) | ||||
![]() | Tom Strong #12 | Chris Sprouse & Al Gordon cover; cover-dated June 2001; published on Wednesday, 18 April 2001 (the same day Tomorrow Stories #10 was published) | ||||
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![]() Larger Version Available | Tom Strong #13 | contains four connected short stories, the second by Russ Heath, the third by Kyle Baker, and the fourth by Pepe Poplaski; Chris Sprouse & Al Gordon cover; cover-dated July 2001; published on Wednesday, 16 May 2001 | ||||
![]() Larger Version Available | Tom Strong #14 | features three stories, one with Hilary Barta art; cover-dated October 2001; published on Wednesday, 8 August 2001 | ||||
![]() Larger Version Available | Tom Strong #15 | the lava man returns, kidnapping Tesla, then comes to live with the Strongs; cover-dated March 2002; published on Friday, 4 January 2002 | ||||
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![]() | Tom Strong #16 | published on Wednesday, 27 February 2002 | ||||
![]() | Tom Strong #17 | features Svetlana X, Tom Strong's Russian counterpart, from Tom Strong's Terrific Tales #2; this issue's story is continued from #16 and continued into #18; published on Wednesday, 3 July 2002 | ||||
![]() | Tom Strong #18 | "The Last Roundup"; the Strong team beats the aliens and returns to Earth; continued from #17; cover-dated December 2002 | ||||
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![]() Larger Version Available | Tom Strong #19 | contains
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| The Many Worlds of Tesla Strong | Tesla Strong pursues Solomon, lost in another dimension; Peter Hogan script, with plot assistance from Alan Moore; art by
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| The Many Worlds of Tesla Strong [alternate cover] | Bruce Timm cover | |||||
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![]() Larger Version Available | Tom Strong #20 | the cover pays homage to Alex Ross's for #1; cover-dated June 2003 | ||||
| Tom Strong #21 | covers Tom Stone's world from 1936-1989, including the reformation of Tom's villains, the inclusion of the superteam America's Best (consisting of Promethea, Jonny Future, Cobweb, and Splash Brannigan), and the saving of Terra Obscura; unknown inks; cover-dated October 2003; published on Wednesday, 20 August 2003 | |||||
| Tom Strong #22 | Tom Stone's universe is destroyed; cover-dated December 2003; published on Wednesday, 8 October 2003 | |||||
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| Terra Obscura #1 | the Grim Reaper attacks the Terror, who controls a city absolutely; cover-dated August 2003 | |||||
![]() Larger Version Available | Terra Obscura #2 | Grant Halford, the Magnet, investigates the death of Lance Lewis, who came from the 22nd Century to become a science hero, beginning in the 1940s | ||||
| Terra Obscura #3 | published on Wednesday, 27 August 2003 | |||||
![]() Larger Version Available | Terra Obscura #4 | the heroes get Tom Strange to join the group; published on Wednesday, 24 September 2003 | ||||
![]() Larger Version Available | Terra Obscura #5 | Dr. X and his mansion depart for dimension X; Mystico revealed to be behind the crisis; cover-dated December 2003; published on Wednesday, 29 October 2003 | ||||
![]() Larger Version Available | Terra Obscura #6 | 32 pages; everyone battles and defeats Mystico; Diana leaves Tim, moving in with Carol in New Lancaster; cover-dated February 2004 | ||||
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![]() Larger Version Available | Tom Strong #23 | cover-dated January 2003; published on Wednesday, 5 November 2003 | ||||
| Tom Strong #24 | cover-dated March 2003 | |||||
| Tom Strong #25 | no data entered | |||||
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![]() Larger Version Available | Tom Strong's Terrific Tales #1 | 32 pages; features
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![]() | Tom Strong's Terrific Tales #2 | features
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![]() Larger Version Available | Tom Strong's Terrific Tales #3 | features
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![]() Larger Version Available | Tom Strong's Terrific Tales #4 | features
[READ MATT MARTIN'S REVIEW] | ||||
![]() Larger Version Available | Tom Strong's Terrific Tales #5 | features
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| Tom Strong's Terrific Tales #6 | contains
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| Tom Strong's Terrific Tales #7 | contains
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| Tom Strong's Terrific Tales #8 | contains
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